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In Cold Blood, by Truman Capote
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Amazon.com Review
"Until one morning in mid-November of 1959, few Americans--in fact, few Kansans--had ever heard of Holcomb. Like the waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama, in the shape of exceptional happenings, had never stopped there." If all Truman Capote did was invent a new genre--journalism written with the language and structure of literature--this "nonfiction novel" about the brutal slaying of the Clutter family by two would-be robbers would be remembered as a trail-blazing experiment that has influenced countless writers. But Capote achieved more than that. He wrote a true masterpiece of creative nonfiction. The images of this tale continue to resonate in our minds: 16-year-old Nancy Clutter teaching a friend how to bake a cherry pie, Dick Hickock's black '49 Chevrolet sedan, Perry Smith's Gibson guitar and his dreams of gold in a tropical paradise--the blood on the walls and the final "thud-snap" of the rope-broken necks.
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Review
"A masterpiece . . . a spellbinding work." —Life"A remarkable, tensely exciting, superbly written 'true account.' " —The New York Times "The best documentary account of an American crime ever written. . . . The book chills the blood and exercises the intelligence . . . harrowing." —The New York Review of Books
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Product details
Series: Vintage International
Paperback: 343 pages
Publisher: Vintage (February 1, 1994)
Language: English
ISBN-10: 9780679745587
ISBN-13: 978-0679745587
ASIN: 0679745580
Product Dimensions:
5.2 x 0.8 x 8 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
1,873 customer reviews
Amazon Best Sellers Rank:
#937 in Books (See Top 100 in Books)
excellent book
One of the most significant non-fiction writings of the mid-1960s that still holds an honored place today in American letters. In late 1959 the entire Herbert Clutter family of rural Kansas -- Mr. and Mrs. Clutter and their two youngest children Nancy and Kenyon -- were slaughtered for no particular reason except that the two drifters who sought them out had received bad advice about the alleged riches Mr. Clutter kept in his office safe, but didn't. What might have been merely a downcast saga of the "outs" tangling with the "ins" becomes an amazingly gripping story in author Truman Capote's virtuoso writing, that took years to research, write and edit. In my opinion only purists quibble over whether this book should be classed as non-fiction or fiction; it IS non-fiction, but because some of Capote's narrative techniques were new at the time, IN COLD BLOOD ever since then has straddled "best-of" lists to its overall detriment. Ignore that chatter and read this masterpiece for what it is.Note: Capote's research assistant out in rural Kansas was none other than (Nelle) Harper Lee, who wrote TO KILL A MOCKINGBIRD.
I was a little worried about picking up this book- concerned that it would be lurid and make celebrities out of the killers. But I was surprised and immediately swept away- the writing is precise, clear, and lyrical. It rings like a bell calling you back for more. The depth of analysis, the sheer amount of work that went into this is stunning. And it is never lurid, never written to sell copy. The characters are richly drawn and fully realized. And it is the Clutter family that I remember most now that I've shut the book. As it should be. A secondary tragedy is that we don't see more of this type of reporting.
In Truman Capote’s In Cold Blood, Capote wove a tale of deception and brutal killing. The author based his story off of the real-life murders of the Clutter family in 1959. The actual Clutters were slaughtered during a robbery gone wrong, which is also portrayed in the novel. The murderers, Richard Hickock and Perry Smith, spent five years on death row until they were hanged as punishment. Capote effectively transformed a horrific robbery/murder to a page-turning novel. The author managed to captivate his audience by shifting point of views from the victims to the murderers. Not only does he accomplish this well, he also incorporates stylistic elements to make the murders appear more like a plot rather than an actual event.Capote shifts perspective from murderers to the murdered which allows him to convert this real life event to a story plotline. As the reader, we see the murder occur from both perspectives which almost allows us to be separate from the event since it leads to a weaker emotional connection to the story when reading. However, when the reader takes a moment to recall that this actually occurred, it opens a box of emotions. Capote wrote the plot so effectively, we automatically assume it is a work of fiction and forget the harsh realities.Capote’s well researched insight on the story lends the perspectives of both the Clutter family members and the murders, Perry and Richard, to communicate a clear plotline. He does well to tie up loose ends that may have resulted from the limited availability of knowledge about the murders-which may be the reason why this story seems so fictional. Blurred omniscience lets Capote lead the reader through the rollercoaster of both emotions and action, each page becoming another layer to the overall suspense. The book does justice not only to the victims but the murders as well. Instead of painting Perry and Richard as complete antagonists, capable of only crime , Capote add layers to their personality by explaining the background of each man. The heart wrenching pasts of the duo humanized them, creating an additional element of tension during the brutal slaying of the Clutter family.
I wondered how well this would hold up after having read it many years ago. Fictionalized true crime stories are common now but not when this was published so I wondered if it's impact on me back then was because it had substance or because it was, at the time, new. It holds up more than well. There is grandeur in the storytelling, and a sweep of narrative that is hard to describe, epic in the way it details the arc of their lives. Really a wonderful book.
I am more of a consumer than producer. However, even I know of Mr. Capote's work and reputation, though living in the Czech Republic my choice of reading matter pre-Kindle was more limited. I was therefore surprised at the depth and skill of his writing.One really feels that every strange , even good, aspect of -not only the two main figures, but those around them- is relevant and explained, so that the whole acquires a coherence and completeness never found in a work of fiction.I read mainly fiction but have now tried a new direction-non-fiction-and in my humble opinion its more interesting for being true.Also as a picture of 1950's rural America the detail was as fine as that found in your ultra realistic painters' works, if a tad less uplifting!I shall be back for more, once I have finished my current read. I hope -as a criminal lawyer for 30 odd years, that books like this not only show the danger from criminals who are so because of the damage they have sustained often at the hands of those who should love and care for them, but also how such behaviour MUST change as a result of such knowledge.In England just now the sexual behaviour of many who were rich and famous is only many years later coming into the public domain. Hopefully such revelations will at least encourage more "whistleblowers".Skeletons do not improve by being swept into cupboards! Sixty years have gone by since the vents described so graphically occurred bit the message underlying same is still true today. "Your bad actions may create a monster which the State may kill." Is this what you want for your child?
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